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We were set up on the dance floor in front of the bandstand. It was a late afternoon show, a tardeada, which he did every Sunday.
The same year, he took us to a recording studio for the first time to do a recording of our own. The studio was called Jimmy Jones Studio in Pasadena, where he recorded almost all of his records from the late 50s through the early 70s.
At the time, they only had a two-track machine. We surfeers out of both sessions with a rpm acetate, which was very exciting for kids in their early teens.
Also inhe took us on a California tour with his band, which included gigs in Bakersfield, Stockton, and San Jose. It was quite an experience for us to travel by car, stay in motels, and eat in various coffee shops with a bunch of veteran musicians.
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My strongest memory is of the Bakersfield gig, which was in a huge building at a fairgrounds in the afternoon. There must have been a thousand people in attendance. We got a great response, especially from some screaming pre-teenage girls. This was at the height of Beatlemania and as a gimmick we wore Beatle wigs for a couple of songs. The same year, we recorded a real record backing up my dad. After adding a sax player and lead singer to our lineup, Trini Basulto and Ricky Almaraz, we embarked on a usrfers tour of Arizona.
I played lead guitar on a string Rickenbacker solid body guitar. These sessions were fun because the two bands were set up facing each other and taking turns playing sections of the song. It was like dueling bands and there were no overdubs.
We were playing "live" in the studio with my dad doing the vocal at the same time. Peppers Lonely Hearts Club Band.